• A pillar of flame dominated the center of the frame, erupting from behind a man in a blue cloak who is extending his arms and tilting his head back in reverie, clutching a dagger in one hand. He is surrounded by an inverted glass ziggurat which refracts an amber color from within. The fire twists upward from this vessel to the words "Doom God," then drift to the right in puffy orange plumes. The word "Doom" is the greebled, sci-fi logo from the 1993 video game, and "God" is in the Goodyear Tires font.
  • Arcing behind and below the cultist and his glass podium is a chaotic swath of violent imagery in red, blue, and yellow: There are fists clutching weapons or punching people, laser blasts, the sawtooth edges of emphatic speech bubbles (one of which says "And the crowd goes wild!!!"), horses, a roman soldier, and a bishop.
  • The work on display, hanging on a concrete pillar in a wooden frame.
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Tristan Bowersox

DOOMGOD VI Ltd | 11×14" Collage

DOOMGOD VI Ltd | 11×14" Collage

$125.00 USD
$125.00 USD
Sale Sold out
Frame style
DOOMGOD VI: “Inhuman Rites”
TBMcQueen
Collage on wood panel, scanned and printed
Giclée print on archival rag, 5 editions, numbered and signed.
Print: 14 inches high by 11 wide, plus half-inch border.
Frame: 16×20 mat, 17.25×21.125 inches outside

The DOOMGOD series channels political anxieties through a lens of pop imagery, pulp crassness, and punk showmanship. It is an indulgence in nihilistic hedonism and an examination of the way media glorifies, sensationalizes, and paradoxically trivializes violent unrest through the bright colors and slick packaging of entertainment.
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